Episodes
Tuesday Oct 19, 2021
Sordid Cinema Podcast Rewind: Why Mulholland Drive is a Masterpiece
Tuesday Oct 19, 2021
Tuesday Oct 19, 2021
David Lynch Special Part 1: Mulholland Drive Review
In what turned out to be one of the most epic conversations in our podcast’s history, Ricky, Simon, and Edgar Chaput were joined by David Lynch superfan and friend of the show Kate Rennebohm for a two-part dissection of David Lynch’s films: 2001’s Mulholland Drive and 2006’s Inland Empire. Discussed: rabbits, the Lincoln assassination, the significance of doorknobs, yelling at Laura Dern, and many, many more odd tangents. Here is the first half of the special. Enjoy!
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Wednesday Sep 29, 2021
Sordid Cinema Podcast #594: Nosferatu the Vampyre
Wednesday Sep 29, 2021
Wednesday Sep 29, 2021
Nosferatu the Vampyre Review
This week, we take a look back at Nosferatu – no, not that one! Werner Herzog’s 1979 stab at the Dracula mythos, Nosferatu the Vampyre, complete with the great and terrible Klaus Kinski as the titular ghoul, is the one we’re taking a look at this time, inspired by recent news that Robert Eggers will be making a run at the same material for his next feature. Discussed: mass rat murder, the weirdnesses of the German/English dual release, and the eternal appeal of this character.
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Wednesday Aug 18, 2021
Sordid Cinema Podcast #592: To Live And Die In L.A. — The Quintessential L.A. Crime Film
Wednesday Aug 18, 2021
Wednesday Aug 18, 2021
To Live and Die in L.A. Review
We continue our informal, intermittent series on grimy cops vs crooks genre movies (see also: Drug War, King of New York, Hard Boiled) with William Friedkin’s slick-but-gritty 1985 thriller To Live and Die in L.A. With its amoral characters, full-frontal nudity, and wildly epic car chase, this is one we (mostly) find lots to rave about.
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Thursday Aug 05, 2021
Sordid Cinema Podcast #590: Anthony Perkins Gets Away With Murder Psycho III
Thursday Aug 05, 2021
Thursday Aug 05, 2021
Psycho III Review
Reviving Norman Bates for the decade of slasher movies was a no-brainer, but Psycho II dove too deep into irrelevant lore and forgot about the fun. Thankfully, director and star Anthony Perkins righted the wrongs of Norman’s past with the wickedly entertaining Psycho III, an overlooked gem lost in a sea of sequel apathy. Artful filmmaking, economical storytelling, a talented cast, and a wonderful lead performance don’t care that movies with the number three in the title aren’t supposed to be good. Psycho III might not live up to the legendary reputation of Hitchcock’s masterpiece, but it’s a genuinely fascinating look at an iconic character from the man who knew him best. It’s also a solid slasher flick with a dark sense of humor .
This week, Rick, Simon, and Patrick don’t make the same mistake 80s audiences did — we spend a night at the Bates Motel, soaking in all the weirdness. Topics up for discussion include brilliant callbacks, creative transitions, the burden of predecessors, bloody ice cubes, and very well-placed lamps. Sure, there’s one scene most of us would change (exposition dump), but so much more we’d keep preserved like a stuffed bird. For all this and more, have a listen!
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Tuesday Jul 27, 2021
Sordid Cinema Podcast #588: Sleepaway Camp Serves A Helping Of Summer Slaughter
Tuesday Jul 27, 2021
Tuesday Jul 27, 2021
Sleepaway Camp Review
This week on the Sordid Cinema Podcast, Ricky D, Patrick Murphy, and Simon Howell travel back to 1983 and review Richard Hiltzik’s deeply gay-coded Sleepaway Camp. The crew discusses the many different interpretations of the film and breaks down the very famous theory citing two killers, not one. Meanwhile, Ricky explains why Ricky is one of his all-time favourite characters in a slasher film. Of course, we couldn’t review the seminal 80s classic without addressing the controversial, shocking, and some would say brilliant twist ending. All this and more!
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Monday Jul 19, 2021
Monday Jul 19, 2021
Babe: Pig in the City Podcast Review
Originally dismissed by most critics and audiences as too dour and scary for children, George Miller’s Babe: Pig in the City holds up today as a beautiful, haunting portrait of the toll an urban existence can take on both human and hog. This week, the Sordid Cinema Podcast dives into the anachronistic, unwelcoming canals of this fantastical Metropolis, looking for a little decency in a cinematic world of cynicism. Join Rick, Simon, and Patrick as we break down Babe’s almost-certain annihilation at the hands of a pit bull, marvel at the incredible effects and ability of the star animals to hit their marks, and have a good laugh at Ferdinand the Duck’s expense.
So what exactly is ‘sordid’ about Babe: Pig in the City? One of our hosts was (at first) asking that same question – until a certain stretch where George Miller puts audiences through the emotional wringer. Though the story revolves around a talking sheep-pig on a wholesome mission to save his farm, there are moments of dread, suspense, action, and horror as a little pig’s innocence and empathy are tested. There is also a bizarre cameo by Mickey Rooney, a drug bust at an airport, a Thunderdome-like ballroom sequence, and a monkey with a gun. Thank you, Pig, for delivering this crazy feast for the eyes and ears, and for more on Babe: Pig in the City, have a listen!
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Sunday Jul 18, 2021
Sunday Jul 18, 2021
Terminator 2 Review
In 1984, director James Cameron created the Terminator franchise. His film of the same name explored a war between humanity and sentient machines, in which victory could only be assured by sending a naked bodybuilder back in time. Seven years later, he returned with Terminator 2: Judgement Day, replacing the original film’s lean, gritty action with the pyrotechnics of a swollen Meatloaf video. On episode #120 of the Sordid Cinema Podcast, the Sordid Cinema crew reviewed the entire grim sci-fi action series powered by the uncanny casting of Austrian muscleman Arnold Schwarzenegger as an unstoppable, monotonous killing machine. What follows is the portion of that episode in which we reviewed Terminator 2 just months before Cameron made his return to the big screen with his long-awaited return to sci-fi, Avatar. Present on this episode is hosts Ricky D, Simon Howell, Al Kratina, and Ali McKinnon. Enjoy!
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Tuesday Jul 13, 2021
Sordid Cinema Podcast #586: Universal Soldier: Day of Reckoning
Tuesday Jul 13, 2021
Tuesday Jul 13, 2021
Universal Soldier: Day of Reckoning Review
When is a direct-to-video beat-’em-up also a brutally dark meditation on mortality, identity, and the cyclical nature of violence? When it’s John Hyams’ Universal Soldier: Day of Reckoning! This hyperviolent action-horror-sci-fi hybrid divides us: is it a schlocky Z-grade knockoff or a compelling concoction all its own? The always-welcome JCVD and Dolph Lundgren are along for the ride as we hash it out.
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Friday Jul 09, 2021
Friday Jul 09, 2021
The Cable Guy Review
He came…He saw…He tormented…
There are plenty of overnight success stories in Hollywood, but none quite like Jim Carey’s rise to fame. After a stint on In Living Color, Carey transitioned to the big screen with Ace Ventura, which became a sleeper hit in the spring of 1994, grossing more than $100 million on a $15 million budget. Carrey followed that up with blockbusters like The Mask, Dumb and Dumber, Batman Forever, and Ace Ventura: When Nature Calls— all within a span of two years, helping him become the biggest box office draw in Hollywood. From there, the rubber-faced comic was hired to star in the 1996 black comedy The Cable Guy directed by Ben Stiller and co-starring Matthew Broderick, Leslie Mann, Jack Black. The film opened to a respectable $20 million but ultimately became a box office bomb, weighed down by toxic word of mouth from critics who called it a complete misfire. The bigger story, however, was how much money Carey was paid— the actor received $20 million from Columbia Pictures, as well as a 15% backend, and critics couldn’t wrap their head around why a studio would pay so much for any actor to star in a comedy. 25 years later, however, The Cable Guy has found a huge cult following and is now considered one of the best dark comedies of its time— a multi-faceted parody built around a multitude of movie and television-inspired set pieces and references along with an incredible performance by Jim Carey. And not only was The Cable Guy slightly ahead of its time, with its prophetic look on the future and the internet at large— but The Cable Guy was arguably the flashpoint for the next big generation of comedy, paving the way for the next generation of comedies. On this episode on the Sordid Cinema Podcast, we dive deep into what makes the film special, even after all these years.
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Thursday Jul 01, 2021
Sordid Cinema Podcast #584: Pull the Wool From Your Eyes to See The Parallax View
Thursday Jul 01, 2021
Thursday Jul 01, 2021
Powerful organizations shrouded in secrecy, pulling strings from the shadows, snuffing out all who would dare expose the truth to an unsuspecting populace… It’s hard not to love conspiracy thrillers, and 1970s movie theaters were chock full of them. This week, the Sordid Cinema crew is taking a look at one of the best, the second in director Alan Pakula’s ‘Paranoia’ trilogy, The Parallax View. Clearly taking inspiration from real-life political assassinations, the story features an intrepid reporter investigating a shadowy corporation that appears to be recruiting and training deadly operatives to ‘remove’ political obstacles. But don’t worry about getting bogged down in plot details — there are too many car chases, bar fights, bomb threats, and boat explosions to distract from what’s really happening.
Join Rick, Simon, and Patrick as they explain just what makes The Parallax View such a solid thriller, including the masterful cinematography, excellent staging, and overall likability of star Warren Beatty (even if someone thinks he should have been replaced). But can you trust a film that doesn’t answer all the questions? We may never know exactly what’s goin on, but there’s a lot of fun in trying to figure it out. For all this and more, have a listen!
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