Episodes
Saturday Jan 08, 2022
Sordid Cinema Podcast #608: With Malignant, A New Horror Icon is Born!
Saturday Jan 08, 2022
Saturday Jan 08, 2022
James Wan’s impact on contemporary horror is undeniable. The Malaysian-born Australian filmmaker is not only the co-creator of the Saw and Insidious franchises but he’s also the creator of The Conjuring Universe, the second highest-grossing horror franchise of all time.
Marking his return to horror after a detour into family-friendly blockbuster filmmaking, James Wan’s Malignant once again proves that the producer/director still knows a thing or two about making good horror films. Malignant is a fine patchwork quilt of ’70s and ‘80s horror films and best described as a modern-day Sci-fi, supernatural Giallo with an outlandish plot that feels lifted from the best and worst Dario Argento films.
This week on the Sordid Cinema Podcast, we’ll tell you why Malignant is one of our ten favourite horror films of 2021 and why we had such a fun time watching it!
Friday Dec 31, 2021
Sordid Cinema Podcast #607: The Beta Test
Friday Dec 31, 2021
Friday Dec 31, 2021
The Beta Test Review
Writer-director-actor Jim Cummings’ made a splash with Thunder Road and The Wolf of Snow Hollow, two independently produced films that were both very well received on the American indie circuit. His latest, The Beta Test, co-written and directed with its co-star PJ McCabe was 100% crowdfunded and made specifically in a way to avoid the traditional old-school corporate model of moviemaking to have complete control of the final product. The Beta Test is many things: a scathing satire of Hollywood culture; a black comedy; a detective story; and an erotic thriller that doubles as a cautionary tale about the age of digital tracking and your digital footprint. It’ best described as the twisted delinquent cousin to Robert Altman’s The Player— something WGA members will love, and agents will hate! This week on the Sordid Cinema Podcast, Simon Howell and Ricky D break down why The Beta Test is one of their favourite films of 2021 and explain why Jim Cummings is a star in the making.
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Tuesday Dec 28, 2021
Sordid Cinema Podcast #606: Spider-Man: No Way Home
Tuesday Dec 28, 2021
Tuesday Dec 28, 2021
Spider-Man: No Way Home Podcast Review
Not even the pandemic can stop millions of people from flocking to theatres to watch the third installment of John Watt’s Spider-Man trilogy starring Tom Holland as everyone’s favourite neighborhood Spider-man! Spider-Man: No Way Home unwrapped the best Holiday gift of all, becoming the first pandemic-era movie to cross $1 billion at the global box office. The numbers that Spider-Man: No Way Home is pulling in are nothing short of incredible and now that everyone has had a chance to see the movie, we figured it was time to deliver our spoiler-heavy review of the film, Joining Ricky D to discuss Spider-Man: No Way Home is Randy Dankievitch, Marc Kaliroff, and David Harris.
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Tuesday Dec 21, 2021
Tuesday Dec 21, 2021
Scream (1996) Review
Wes Craven’s Scream was an unexpected smash hit in 1996, revitalizing the horror genre and inspiring a new generation of self-knowing teen slasher films. For a generation of kids, Scream provided a gateway to horror movies, but how does it hold up 25 years later? In this episode of the Sordid Cinema Podcast, we revisit Craven’s canny, witty, and surprisingly effective slasher film and explain why it not only holds up but remains one of the greatest scary films ever made. Joining us is Tilt Magazine writer, Leah Wersebe.
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Wednesday Dec 15, 2021
Sordid Cinema Podcast #604: Why Succession is the Best Show of 2021!
Wednesday Dec 15, 2021
Wednesday Dec 15, 2021
Succession Podcast Special!
Fans already buying what Succession is selling won’t need us to convince them why they should be watching the show but in this episode of the Sordid Cinema Podcast, we do our best to convince everyone else why they should be watching the popular HBO series by showrunner Jesse Armstrong. And for those who have watched all three seasons of Succession, we break down season three towards the end of the episode and speculate about what could happen moving forward. Joining us is guest host, Randy Dankievitch.
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Tuesday Dec 07, 2021
Tuesday Dec 07, 2021
One False Move Spoiler Review
This week on the Sordid Cinema Podcast, we explain why we agree with Roger Ebert and Gene Siskel that Carl Franklin’s low-budget crime pic One False Move, is one of the best films of 1992. Scripted by Thom Epperson and Billy Bob Thornton, the neo-noir is hard-hitting, skillfully performed, well shot, and perfectly paced. And while the film might not be a masterpiece, it sure is better than your average thriller and also features a breakthrough performance by the late, great, Bill Paxton. Sadly, the film was neglected and forgotten over the years, but we’re here to hopefully change that.
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Thursday Dec 02, 2021
Sordid Cinema Podcast Rewind: Xavier Dolan’s Mommy
Thursday Dec 02, 2021
Thursday Dec 02, 2021
Anyone who’s even remotely familiar with Quebec cinema will know his name: Xavier Dolan is currently Canada’s chief prestige cinematic export, for better or worse. On episode 398 of the Sordid Cinema Podcast (then known as Sound On Sight), Kate Rennebohm and Justine Smith joined Simon Howell to debate the merits of his sixth feature, Mommy, for which he shared the Best Director prize at Cannes with none other than Jean-Luc Godard.
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Wednesday Dec 01, 2021
Wednesday Dec 01, 2021
Dune 2021 Review
There’s a lot to like about Denis Villeneuve’s version of Frank Herbert’s Dune and this week on the Sordid Cinema Podcast we discuss what we admire about the Montreal filmmakers’ adaptation of the complex, weighty sci-fi novel and how it compares to David Lynch’s 1984 vision. We’ll tell you why Dune is a feminist film even if it revolves around a very masculine world and explain why it has some of the best sound design of any blockbuster film in recent memory. We also examine Greig Fraser’s gorgeous cinematography; Patrice Vermette’s incredible production design, as well as the work of Hans Zimmer who spent months creating new instruments to help him and his team, compose the soundtrack. Needless to say, there’s a lot to discuss this week. Enjoy!
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Friday Nov 26, 2021
Friday Nov 26, 2021
Cube (1997) Review
This week on the Sordid Cinema Podcast, we revisit Vincenzo Natali’s 1997 science-fiction horror film Cube; a low-budget, high-concept, mind-bending, sci-fi-thriller that revolves around people trying to escape a giant cube made of 17,576 different rooms, some of which feature inescapable deadly traps. We debate if Cube was ahead of its time and discuss why we feel the film was so influential to other movies and TV shows like Squid Game, Battle Royale and Saw, to name just a few. But what really interests us is the question: how many ways can one man film a movie that all takes place in one room and still keep it engaging? All this and more!
Tuesday Nov 09, 2021
Sordid Cinema Podcast #596: A Detailed Analysis of Squid Game
Tuesday Nov 09, 2021
Tuesday Nov 09, 2021
Squid Game Podcast Review
You might think we’re late with our review of Squid Game, but we swear, it was all by design. Now that the hype has whittled down, we decided to sit back and discuss the Netflix phenomenon and why we think Squid Game— despite its many flaws— is one of the best shows of 2021.
Squid Game has all the characteristics we love about Korean dramas including unexpected plot twists, over-the-top characters, and a story that grapples with economic anxieties and class struggles. It’s part horror and part dark comedy and boasts a catchy soundtrack and impeccable set design featuring candy-colored, high-concept dystopian sets that reflect how brutal South Korean society is toward the people at the bottom.
If you’re familiar with manga like Liar Game, Gambling Apocalypse: Kaiji, and Battle Royale, you know what to expect. Squid Game is all that and more!
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